Last Sunday I have a visit from Peter: he’s read the first
ten chapters of my novel and has some feedback for me. Whilst I make tea he prowls the kitchen until
he finds – well what on earth? his expression says. He has a way of asking a question with a sideways
list to the head which makes me smile.
What do you think, I say. He
hazards a few guesses – a honey-drizzler for someone who eats it by the vat? – and
then gives up.
It’s a hot chocolate maker; a whisk, more or less. It’s made of wood, quite light, and has a
slim, turned handle. The upper half –
the whisking bit – is carved, hand-carved I think though the thing itself is
machine-made, into a series of notched shapes around the central stem, so that
it has a sequence of waists. Three of
the waists are encircled by a loose ring, each carved with a different pattern
and held in place by the body above and below but free to spin in its
orbit. If you shake it, the thing clicks
and chuckles like a rattle. The top end
is shaped like a double flower head.
Between the two sets of petals is a kind of squashed hollow orb, with a
row of little eyes cut into its circumference.
I am sure the whole thing has been fashioned from a single piece of wood
but, when I examine it, I can’t figure out how this final embellishment has
been made.
This morning I catch the end of a radio item they call The
Thing About You: what is the most precious thing in your life, the one thing
you would save if your house were on fire, the item which defines and reassures
you? A man speaks about a carved dog
from a concentration camp and tells his father’s story. I think about my house burning and think I
might save this chocolate maker, which has its own odd history. It was given to me by another Peter on another
Sunday 25 years ago, in a market in Tepotzlán, up in the hills outside Mexico
City. It was a holiday weekend, I think,
always an encouragement to escape from the capital, and Peter was one of my few
friends with a car. Unlike the rest of
us, young teachers from the UK and Canada happy to exist on a shoestring in
return for a spell away from the confines of home, Peter had another, proper
job as an orthodontist. Teaching was
something he did in his spare time, when he wasn’t throwing wild parties or planning
elaborate excursions. He loved to
outrage: one story has him dancing naked with his two Siamese cats; another,
less happy, involved him being picked up on the street in San Angel in the
early hours of one morning, very drunk, thrown in the back of a car and
deposited eventually stripped of everything (clothes, wallet, shoes) apart from
his underpants.
He died some years ago
after what I imagine must have been a horrid and lingering illness. I like to remember him for his excesses, for
his odd mixture of generosity and meanness.
I went to the coast with him one weekend and he stayed in the Hilton
whilst I battled the cockroaches in a dormitory at the other end of town. I hadn’t been long in the country and he
enjoyed my naivety, I think, watching my reactions as we scoured the stalls for
magic remedies – Tepotzlán was famous for its witches – and translating the
simplest phrases into Scottish Highlands camp.
This pretty little toy cost a few pesos at most but he presented it to
me formally as if it were a treasure: ‘Kate, bienvenido a Mexico – welcome to
Mexico.’
Ever since I came back to England it’s lived in a corner of
the kitchen, upended in a Mexican cup, gathering dust, whilst my family of two
grew to accommodate a baby and then shrank again. In the unhinged early days of single
parenthood, the chocolate-maker became a microphone we passed between us every
time we heard the opening bars of Feeder’s ‘Buck Rogers’, a verse apiece – you know,
‘He’s got a brand new car, Looks like a jag-u-ar, It’s got leather seats, It’s
got a CD player (player player player...) But I don’t wanna talk about it any more.’ The chorus took the two voices, mother and
son, shouting our survival into the chipped petalled mike:
I think we're gonna
make it
I think we're gonna
save it yeah
So don't you try
and fake it
Anymore, anymore
We'll start over
again
Grow ourselves new
skin
Get a house in Devon
Drink cider from a
lemon (lemon, lemon, lemon...)
I never knew who Buck Rogers was, and we never
made it to Devon. We’re still going,
though. And the whisk: has lost a
couple of petals and I’m not sure I fancy woodworm in my hot chocolate. It’s a good reminder, though: old friends,
far-away places, someone taking the trouble to make a useful bit of kitchen
equipment beautiful and a taste of the exotic – cinnamon, sugar, warm milk and
dark dark chocolate.
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